Shop: All collections

20th CENTURY: ARTISTS' ESTATES

We work with the partners and families of a number of deceased artists artists’ estates, helping with rationalising and disposing of their collections and raising the profile and reputation of the artists in the process.
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Willie Rodger RSA (1930-2018)

Afternoon Bridge 15/25

£575

Willie Rodger RSA (1930-2018)

Kiss Me

£6,000

Leonard Gray (1925-2019)

Bridge and Cottage

£1,450

A Dealer's Eye|30 MARCH - 17 APRIL

"My apologies for the rather pompous title but after much discussion with my colleagues it was decided that ‘They’re my pictures, I just want to be alone with them’ and ‘Nothing to see here please move on to Philip Mould next door’ would probably send the wrong marketing message. Anyway, while feeling the reluctance to part with any of my precious charges, I am aware of the need, in these straightened times, to actually offer some for sale. After all, I’ve been reminded, that is the Panter & Hall raison d'être. Apparently. So here we are, forty-six original works from the vaults, all carefully chosen, acquired over a couple of decades and in some cases only recently cleaned and framed before the current crisis shut the off-line world down." - Matthew Hall - View E Catalogue
Greville Irwin RBA (1893-1947)

Beaconsfield Fair

£2,850

Aiden Milligan (born 1992)

An exciting young painter and printmaker, Aiden graduated from Gray’s School of Art in 2018 with a Distinction in his Fine Art MA course. He has been awarded a residency in 2019 at Dumfries House by the Royal drawing School and has recently exhibited at the Royal Scottish Academy where he won the Edinburgh Art Shop Prize. In 2017 he was awarded the BP Fine Art Award and the Wood Group Purchase Prize. Sold Works Sold Work Post 2019 Sold Work Prior 2019
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Aiden Milligan

In a World of Their Own

£250

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Alan Kingsbury

Silver Teapot with Postcard and Mandarin

£5,850

Alan Kingsbury RWA (born 1960)

Born in London he was producing works in oils from the age of nine. He studied psychology and art history at university. In 1983 he accepted an internship at the Peggy Guggenheim Collection in Venice. Subsequently, as a cataloguer of modern paintings for Bonhams Auctioneers, he viewed many thousands of paintings and gained a real understanding of detail and effect. In 1986 he moved to Venice and painted outdoor oil sketches in varying light conditions. From 1986 he turned to painting full time, working initially in Italy, then Scotland and since 1991, West Cornwall.  He has held numerous solo exhibitions over the last thirty years and has exhibited at the Royal Academy of Arts, The New English Art Club and the Royal Society of Portrait Painters. He is an elected Academician of the Royal West of England Academy. For over twenty years his work was characterised by imaginative figure paintings but currently he engages directly with subject matter that he loves and concentrates on large scale still life, interior and landscape compositions in a fluid and painterly style.  Alan is an artist who manages that rare balance in painting, his works appear simultaneously classical yet utterly contemporary in effect. In recent years he has worked towards perfecting large scale still-lifes, each characterised by daringly fluid paintwork and a refreshing economy of style. The subject matter is carefully chosen and each painting is prepared over time with meticulous attention to the balance and harmony of composition. Only when the artist is completely satisfied with all elements of an idea will he approach the canvas, often completing a painting in a bout of uninterrupted activity lasting a single day.  Thus a maximum level of energy is maintained in the finished work, stretching the limits of brushwork with a directness and clarity that excites the eye. ‘In Alan’s paintings the seductive use of dash and bravura remains on a grand scale; his familiar deftness of brush and confident paint-laden strokes seem to have found their optimum canvas size. His work has evolved from subtle, contemplative, domestic set pieces to creations of light, colour and drama that are palatial in conception. I am pleased to say that his paintings have lost none of the other-worldly charm and quiet wit that is so much an extension of Alan’s own personality. Now that twinkle in the palette’s eye is expressed through style and composition not the narrative content as in the past. When standing in front of an original Kingsbury there is no room for disappointment. He is a perfectionist in paint who has mastered the art of making that perfection appear child’s play. Life crackles through his brush and injects such energy into each work that standing in a room of these sumptuous examples of the modern Baroque is a positively life affirming experience. For me, Alan is undoubtedly one of the great figurative painters of his generation. In an age where the London commercial art scene is annually suffocated by the numbing homogeneity of the latest Florentine graduates, Alan’s paintings and talent scream integrity and substance.”  Matthew Hall   Exhibitions E Catalogues Sold Works Alan Kingsbury: Twelve Paintings - 2016 Alan Kingsbury: The Charms of Life - 2015 Alan Kingsbury RWA Alan Kingsbury: The Ionian Sea - 2011 Alan Kingsbury - 2010 Alan Kingsbury - 2009 Alan Kingsbury: Twelve Paintings - 2016 Alan Kingsbury: The Charms of Life - 2015 Sold Work Post 2019 Sold Work Prior 2019
Alan Kingsbury

Coffee Pot with Blue Glass and Wine

£4,850

Alastair Michie RWA FRBS (1921-2008)

The eldest son of Anne Redpath, possibly the most famous Scottish woman painter of the twentieth century, Michie was born in St Omer, France where his father was working as an architect. When the 1930s recession led the family to return to Hawick in Scotland, Michie attended the local high school where he won a scholarship to study architecture at Edinburgh College of Art. War service in the RAF interrupted his studies and he became one of the youngest pilots to receive his wings, serving with distinction as a night-fighter pilot in reconnaissance aircraft over Germany and occupied territory. Reluctant to return to his architectural studies after the war, Michie worked as a freelance illustrator and graphic designer. He had a successful career as a fashion draughtsman for leading magazines in London, before moving to Dorset in 1950. A visit to the 1962 Venice Biennale had a dramatic artistic and professional impact. It was there that Michie first encountered the work of the American abstract expressionists:  Robert Motherwell, Franz Kline and Mark Rothko. The experience drove him towards painting and particularly abstraction. His new artistic philosophy was confirmed at a meeting with Rothko at an exhibition of paintings by his friend John Plumb at the Axiom gallery in London in the late 1960s. His first solo exhibition of his new work was held at Edinburgh's Traverse Theatre in 1964. These large acrylics, richly coloured and sensuously textured, linked him not only to the American painters he admired, but also to the Edinburgh school of colourists. That same year he also exhibited Gold Relief 21 at the Royal Scottish Academy, and was a finalist in an Arts Council open painting competition.  He exhibited widely in Britain and abroad and in 1972 a major show in São Paulo led to the modern art museums of Rio de Janeiro and São Paulo purchasing work. His sculpture was shown at the Barbican Centre in London in 1981. Peter Davies concluded his excellent obituary of Michie in the Independent as an artist who ‘belonged to a generation of later modernist artists who shared an optimistic but never naïve world-view conditioned by an understanding of human nature gained during wartime. A sophisticated, urbane man with a quiet, wry sense of humour, he overcame a strange mix of privilege and disadvantage to pursue a difficult career.’ This small collection of Fashion illustrations were purchased directly from the artist’s family. They cover an exciting period of British fashion from the ascent from post war austerity to the swinging sixties: a fascinating potted timeline plotting the evolution of women’s design from the ‘New Look’ to ‘Hippy Chic’. Sold Works Sold Work Post 2019 Sold Work Prior 2019
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Alberto Morrocco OBE RSA RP RSW RGI (1917-1998)

Alberto Morrocco was born in Aberdeen, the son of Italian immigrants. Precocious talent as a draughtsman secured him entrance to Gray’s School of Art in Aberdeen at the tender age of 14 from where, following graduation, he briefly toured pre-war France and Italy. The avant-garde of the twenties and thirties, in particular Braque and Picasso, consequently had a lasting influence on Morocco’s life and art. Following war service as a conscientious objector in the medical corps, Morrocco spent the rest of his professional life in Dundee, as Head of the School of painting at Duncan of Jordanstone College of Art. Under his skilled direction, the School adopted a characteristic approach to teaching, with the emphasis on observation and drawing. As a teacher, Morrocco was erudite, witty, passionate and hugely respected by his students. Following his retirement from teaching in 1982, Morrocco painted vigorously, producing what is often thought to be his most exciting work. The University of Dundee awarded Morrocco an honorary doctorate in 1980. He painted all its Principals and, in 1977, the Queen Mother as Chancellor. Spanning thirty years, these portraits are a perfect illustration of how skilfully he adapted the conventions of the formal portrait to the expectations of a contemporary audience. Morrocco was awarded the San Vita Romano Prize and both the Guthrie and Carnegie Award of the Royal Scottish Academy, where he was elected Fellow in 1962. In addition to the degree from Dundee University, Morocco was awarded an Honorary Doctorate from Stirling University in 1987. He served on the Scottish Arts Council and the Royal Fine Art Commission for Scotland and was appointed OBE in 1993. Morrocco is remembered as a much loved figure in the Scottish art world, both his personality and painting having dominated the scene for nearly half a century. Exhibitions E Catalogues Sold Works Alberto Morrocco OBE RSA (1917-1998) - 2018 Alberto Morrocco OBE RSA (1917-1998) - 2018 Sold Work Post 2019 Sold Work Prior 2019
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Alberto Morrocco RSA (1917-1998)

Low Tide, Benholm, 1961

£14,250

Alex Uxbridge (born 1950)

Alex Uxbridge had already enjoyed a successful career in art publishing before he entered the Byam Shaw School of Art in his late thirties. Since graduating in the early 1990s he has painted and exhibited professionally without break and we are delighted to introduce his new work to our collectors at Panter & Hall. Having grown up in Anglesey at his ancestral home, Plas Newydd, his Welsh roots run deep. His paintings of the area have a Welshness about them though, very far removed from the palette knife of Kyffin Williams that has so come to define and dominate the national style. He still works from a remote cottage on the island and the few Snowdonia paintings in this collection beautifully capture the majesty and isolation of the mountain passes. As with many British painters before him, Alex regularly takes that well-trodden path to the Mediterranean countries and the extraordinary light they offer. By contrast, his paintings there are lit up with the evident pleasure he derives from the area. His brushstrokes lighten along with his palette, and his style adopts a post-impressionism reminiscent of the later Bloomsbury works. His paintings are gentle, light of touch, beautifully composed, and infused with a poetic lyricism that belies the confidence of their construction.  So many painters have sought out the Mediterranean light over the last century or so, the draw of the sun-drenched olive groves and terracotta roofs has seduced thousands from the impressionists onwards. Alex’s paintings are certainly deeply embedded in this line and I think he stands as worthy an heir to that tradition as any one painting there today. Alex is an artist who clearly relishes the challenge of committing a subject to canvas and has the talent and experience to pull it off. Exhibitions E Catalogues Sold Works Alex Uxbridge: Travels - 2019 Alex Uxbridge: Travels - 2019 Sold Work
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Alex Uxbridge

Reading by the Window

£2,200

ALEX UXBRIDGE: TRAVELS|5 - 22 NOVEMBER 2019

About the artist View E Catalogue Gallery Information Alex Uxbridge had already enjoyed a successful career in art publishing before he entered the Byam Shaw School of Art in his late thirties. Since graduating in the early 1990s he has painted and exhibited professionally without break and we are delighted to introduce his new work to our collectors at Panter & Hall.This series of paintings is his most accomplished to date. They demonstrate an artist at the height of his powers, confident of his talent and at ease with his subjects. Alex takes the viewer on a journey, juxtaposing the wintry green landscapes of North Wales with a summer spent at an easel in the south of France, Italy and Spain.Having grown up in Anglesey at his ancestral home, Plas Newydd, his Welsh roots run deep. His paintings of the area have a Welshness about them though, very far removed from the palette knife of Kyffin Williams that has so come to define and dominate the national style. He still works from a remote cottage on the island and the few Snowdonia paintings in this collection beautifully capture the majesty and isolation of the mountain passes.As with many British painters before him, Alex regularly takes that well-trodden path to the Mediterranean countries and the extraordinary light they offer. By contrast, his paintings there are lit up with the evident pleasure he derives from the area. His brushstrokes lighten along with his palette, and his style adopts a post-impressionism reminiscent of the later Bloomsbury works. These paintings are gentle, light of touch, beautifully composed, and infused with a poetic lyricism that belies the confidence of their construction.So many painters have sought out the Mediterranean light over the last century or so, the draw of the sun-drenched olive groves and terracotta roofs has seduced thousands from the impressionists onwards. Alex’s paintings are certainly deeply embedded in this line and I think he stands as worthy an heir to that tradition as anyone painting there today.Away from the heat of the day, some of Alex’s finest paintings are of the various interiors he visits on his travels. The empty kitchens and bedroom views, seen through a tall shutter or a garden door, have a contemplative quality. Human absence adds to the sense of each room’s abandonment, a peaceful refuge from the midday sun awaiting a new arrival. These delightful, restful paintings have an intimist quality that evokes the later works of Bonnard.In all a very enjoyable collection of paintings from an artist who clearly relishes the challenge of committing a subject to canvas and has the talent and experience to pull it off.© Panter & Hall View the E Catalogue from this LINK MAIN GALLERYPanter & Hall11-12 Pall MallLondonSW1Y 5LUMonday to Friday: 10.00 AM - 6.00PMSaturdays: BY APPOINTMENT ONLY Sundays: ClosedClosed Bank Holidays+44 (0)20 7399 9999enquiries@panterandhall.com
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Alex Uxbridge

Reading by the Window

£2,200

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Alexander Galt (1913-2000)

Imaginative Landscape

£2,500

Alexander Milligan Galt RGI (1913-2000)

He was born in Greenock in 1913, the seventh child of a Clydeside brass founder. Living off the frugal earnings of his father’s labour he enrolled at the Glasgow School of Art in 1930.  Several other students would tease him over his poverty and often he was forced to make his own paints and use his hair to make brushes.  While at Glasgow he befriended David Donaldson and Bill Crosbie, both contemporaries at the school.  Donaldson who later became Queen’s Limner in Scotland and Head of the School of Art wrote that he was overawed by Galt’s draughtsmanship “…he could draw like an angel….and …could out Orpen Orpen”.  Many of the Glasgow art teachers referred to Galt as “the human camera”.  On graduation he won the Torrance Award for life painting and his diploma work toured the art schools of Scotland as an example to other students. In the 1930s he befriended the sculptor Jacob Epstein and his reputation began to grow apace. His painting ‘The Stable Boy’ was purchased by the Caird Museum bequest in Greenock and it was this work that drew the attention of the critic James Agate. Agate’s patronage proved invaluable to the young painter and led to introductions to Rex Nankivell at the Redfern Gallery and the patron Sir Ulrich Alexander, Keeper of the Privy Purse. The award of the Carnegie Scholarship in 1938 enabled Galt to travel to Paris.  He took rooms for two years in Montparnasse meeting the resident artistic community through his friend the padre Donald Caskie.  Caskie later distinguished himself as the war hero ‘the Tartan Pimpernel’.   Forced to return to Scotland with the onset of war he began to teach at Greenock high school before being called up for service in the RAF.  Returning to civilian life in 1945 Galt took a job as part time tutor at Glasgow School of Art before being appointed as art master to Greenock high school.  In the austerity of post war Glasgow Galt struggled to keep his family; it is an indication of the high esteem his fellow artists held him that when he felt obliged for economic reasons to resign from the Glasgow Arts Club the committee refused to allow him to leave, forgoing his membership fee. Despite his popularity amongst his peers Galt was single minded in his pursuit of art. Although an elected member of the Royal Glasgow Institute he eschewed the accompanying social life, preferring to lose himself in his painting, the sound of opera reverberating around his studio. He was active until his death in 2000, winning his last prize at the RGI at the age of 81. Exhibitions E Catalogues Sold Works Twentieth Century British Painting- 2019 Anonymous Muse - 2018 Lazy Days - 2016 Alexander Galt RGI & Gordon Wyllie RSW - 2013 Alexander Galt RGI: A Retrospective - 2008 Alexander Galt RGI: A Retrospective - 2007 Alexander Galt RGI: A Retrospective - 2005 Alexander Galt RGI: A Retrospective - 2004 Twentieth Century British Painting- 2019 Anonymous Muse - 2018 Lazy Days - 2016 Alexander Galt RGI & Gordon Wyllie RSW - 2013 Sold Work Post 2019 Sold Work Prior 2019
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Alexander Galt (1913-2000)

The Clyde from Victoria Road, Gourock

£6,800

Alfred Kingsley Lawrence RA RP (1893-1978)

Although born in Lewes in Sussex, Lawrence trained at King Edward VII School of Art, at the time part of Armstrong College a precursor to Newcastle University. He went on to study at the Royal College of Art under William Rothenstein. His studies were interrupted by the Great War and he joined up with the Tyneside Pioneers attached to the Northumberland Fusiliers as a subaltern. Even as a Pioneer he saw his share of the trauma of that war. He witnessed the action at Bray and the Somme and after the war illustrated the official account of his Battalion’s service. On returning to the Royal College he was awarded a travelling scholarship in 1922 and the Prix de Rome in 1923. His subsequent travel and study in Italy greatly inspired and informed his artistic practice. He enjoyed a reputation as one of the country’s leading figure painters and portrait painters. In 1927 he was one of eight artists commissioned to paint the ‘Building of Britain’ mural scheme in St Stephen’s Hall in the Palace of Westminster. He also painted murals for the Laing Art Gallery and the Bank of England. He is represented in the permanent collections of the Victoria & Albert Museum, the Royal Society, the Imperial War Museum, the Bank of England, the National Portrait Gallery, the National Trust, the Scottish National Portrait Gallery, the Russell-Cotes Art Gallery and the Royal Airforce Museum. A portrait of Lord Plunkett is in the Auckland Art Gallery and a portrait of Sir William Rothenstein is in Royal College of Art Collection. Sold Works Sold Work
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Alfred Kingsley Lawrence RA (1893-1978)

Study for a Society Portrait

£575

Alison Stockmarr

After originally training as a clothes designer, Alison Stockmarr decided to retrain at Colchester School of Art studying Textiles and 3D Design in order to persue her passion for art. Alison is a contemporary British Artist producing collaged 3-D artworks from old books and record sleeves, found ephemera and original photographs. Currently she creates collaged artworks that she defines in  distinct categories; Face Books, Picture Booksand Alphabetical Encyclopaedias, all carried off with her signature playfulness and semantic irony. Face Books are a collection of work poking fun at social media. By matching old photographs with suitably titled books, profiles are constructed, creating a library of invented friends of yesteryear. Apertures are cut into books with photographs and ephemera collaged within their pages. Narratives are composed to complete the picture! These assemblages of everyday archaeologies afford the viewer glimpses of stories or notions and her pithy profiles offer an alternative perspective of Facebook and the like. Her Picture Books are carefully considered illustrated bookart. Taking the original book title as her starting point she collages in detailed layers with found ephemera, creating 3-D dioramas. Alphabetical Encyclopaedias are a recent addition, where encyclopaedias fall open on a specific page and subject matter. Illustrated with collaged ephemera, imagery chases from one aperture, over the page and into the other. Each letter of the alphabet is to be illustrated. So far she has ‘A for Alphabet’, ‘B for Birds’ and ‘C for Children, seen and not heard!’. With her extensive library of Book Art and Collages, she now produces giclee prints and exhibits work nationally and internationally. Exhibitions E Catalogues Sold Works Nine New Painters to Panter & Hall - 2019 Nine New Painters to Panter & Hall - 2019 Sold Work Post 2019 Sold Work Prior 2019
Alison Stockmarr

D is for Dogs

£2,000

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Alison Stockmarr

B is for Birds II

£2,000

Alistair Little (born 1974)

After three years in the film and television industries Alistair turned to two dimensional art to train and work as a freelance commercial illustrator. Early commissions included an underground comic and graphic design work along with storyboard work for the advertising industry. Here he learnt the true value of a strong knowledge of draughtsmanship, and his ability to render credible accurate figure work is the backbone of his work today. In 2001, after four years almost exclusively working in markers and pencils he started experimenting with paint and hasn’t looked back.Alistair’s artistic influences are immediately evident. His great love of twentieth century cinema, particularly the Film Noir genre, dominates his style and his subject matter. His early experience in the film industry taught him the technique of capturing a wider story in the confines of one still image. Each of Alistair’s paintings burst with cinematic tension, his models are carefully posed and dressed to play a well-choreographed role within a cleverly lit backdrop. His use of chiaroscuro serves to heighten the drama, throwing his protagonists into half shadow or obscuring a face with a carefully tilted trilby. Through these images Alistair constructs an edgy narrative, showing the viewer glimpses of a seamy underworld peopled by morally ambiguous characters worthy of Raymond Chandler. Exhibitions E Catalogues Sold Works Alistair Little: The Ring Is Everywhere - 2018 Alistair Little: Front Runner - 2016 Alistair Little: Theatre - 2015 Alistair Little: The Ring Is Everywhere - 2018 Alistair Little: Front Runner - 2016 Alistair Little: Theatre - 2015 Sold Work Post 2019 Sold Work Prior 2019
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Alistair Little

Another Loss

£1,400

ALL ART

This page contains everything we currently have available at Panter & Hall. New work is added regularly but please contact us at enquiries@panterandhall.com if you have any questions.
Beth Carter

Flying Figure ed. of 8+4

£16,800

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American Illustrator c.1930

'How Much?'

£3,850

Amy Millar Watt (1900–1957)

Watt studied under Fred Shelley at Plymouth School of Art and later at St Martin’s School of Art, London, where she met John Millar Watt, who attended the same even ing classes. At the time they both worked for advertising agencies as staff artists. Marrying in 1923, the couple moved to Dedham in Essex. Her husband had found early commer cial success with his cartoon strip POP, and he was able to design and build a modern house and studio overlooking Dedham Vale. Here they became friends and sketching companions of Alfred Munnings and his wife. Amy was a regular exhibitor at the Royal Academy (her work was hung in the Summer Exhibition almost continually from 1929 to 1953) and also at the Paris Salon where she had Honourable Mention. Exhibitions E Catalogues Sold Works Anonymous Muse - 2018 Anonymous Muse - 2018 Sold Work
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Amy Millar Watt (1900–1957)

Portrait of a Woman

£1,850

Andrew Scott George (born 1952)

A high realist style is characteristic of the work of artists who use egg tempera. The medium only allows the application of small amounts of pigment at any one time, building in layers of fine brush strokes over the traditional gesso ground.  As with the paintings of the renaissance artists who used this medium, egg tempera produces a rare luminosity. Andrew George is one such artist adept in using this medium. He paints the landscapes around his home in the Mendip hills of North Somerset, Dorset’s Coastline and the hills of Scotland. On first impression his paintings are finely detailed – they are incredibly well observed, often with each blade of grass given perfect realisation; and yet on closer inspection one notices passages of paint which are almost abstract, where the detail is more impressionistically suggested. Multiple perspectives lead the eye to a combination of vanishing points that provide a wonderful sense of space and distance. Andrew seeks the sublime in a landscape; many are rugged and windswept. The uncomfortable feeling of standing too close to a cliff edge, or the barren quality of a hillside moor, give the paintings an exciting visual edge. (Geoffrey Bertram, 2010)   Attended Edinburgh College of Art 1970 – 74 2000                 South West Arts, Exeter; Prizewinner 2000 and 09     Royal West of England Academy; Prizewinner   Collections Fleming- Wyfold Art Foundation, London Dorsey & Whitney, London The Leicestershire Collection, The Sherrier Centre, Lutterworth Sold Works Sold Work Post 2019 Sold Work Prior 2019
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Andrew Scott George

It Will Be Bright And Clear In The Morning

£4,200

Andrew Squire (born 1954)

Andrew Squire was born in 1954. He originally trained as an architect graduating from Manchester University but for the last thirty years has been a professional artist and designer, based in Glasgow.  Andrew has travelled and exhibited widely, with residencies in Iceland, Canada, Nepal, and Tanzania. His paintings are deceptively simple drawing variously on the elemental space and light of the west of Scotland, the inner landscape of the subconscious, and iconic images of birds and beasts. Speaking about his art work Andrew Squires says "Following my growing commitment to ecology and sustainability, my artwork is continuing to make a steady move away from an anthropocentric perspective, towards geocentrism. Put plainly, and despite the subtext of the last 2,500 years of Western culture, humans and their doings are not the centre of the universe. The theme of much of my art work has been a contemplation of the boundaries of the tangible world and that which lies beyond, using a visual language of isolated iconic and archetypal images, often of animals and birds, carefully placed in their pictorial space."
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Ann Armitage (born 1959)

Born in Huddersfield, Yorkshire 1959, Ann studied painting at Canterbury College of Art and Design graduating in 1987 with a BA Honours Degree in Fine Art.  The following three years she rented a studio in Faversham where she continued to practice. After a three month trip around Spain, Ann based herself in London, working part time as a gardener to support her painting and extensive travels to Nepal and India.  During this time her work was accepted on several occasions into the Royal Academy Summer Exhibition and the Discerning Eye Exhibition, the New English Art Club and the Royal Society of British Artists at the Mall Galleries, London. In 1998 she settled in London, rented a studio in Parade Mews, Tulse Hill, exhibiting her work with various galleries around the country and had a Solo Show in Bergen, Norway at Gallery Urd. In 2006 Ann relocated to West Penwith in Cornwall.  She was invited by selector Fred Cuming RA to exhibit six paintings in the 2008 Discerning Eye Exhibition and won the Regional Prize for the West Country, the same year a painting was accepted into the Royal Academy Summer Exhibition.  In 2009 her work was selected for the Royal West of England Academy Exhibition and was included in a guided commentary about the exhibition. Working predominantly in oil on canvas or board, Ann's painting is a direct response to her environment whether inspired by daily walks in the ever-changing elements of the Cornish landscape or by the quiet contemplation of flowers and everyday objects around her. Sold Works Sold Work Post 2019 Sold Work Prior 2019
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Ann Armitage

Still Life, Oranges and Lemons

£4,200

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Ann Armitage

Preserving Oranges

£3,800

Anna King (born 1984)

Anna was born in Shetland and has spent most of her life in the Scottish Borders. She graduated from Duncan of Jordanstone College of Art in 2005 having been awarded the Ian Eadie Award. She also received the Royal Scottish Academy Landscape Award from the RSA Student Exhibition and in 2017 won the inaugural annual Jolomo Lloyds TSB Landscape Award. Her work is inspired by the human mark that is left on the land around us and her practice has developed though the award of residencies in the UK, France and Iceland. Sold Works Sold Work
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Anna King

Overgrown Glasshouse, Marchmont Estate

£2,600

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Annabel Fairfax

Fantasy

£1,850

Annabel Fairfax SWA (born 1957)

Annabel Fairfax grew up in Suffolk and has painted all her life. Annabel worked in the design studio at Colefax and Fowler and then studied photography with Georje Lewisnski before attending The Heatherley School of Fine Art and continues her studies with Robin Child. Annabel was elected a member of the Society of Women Artists in 2011. Annabel has had solo Exhibitions at ING and The Ebury Galleries. She exhibits annually in group shows which have included The Summer Exhibition at The Royal Academy and the Society of Women Artists and annually exhibits for Art For Youth at the Mall Galleries. Annabel also exhibits at The Bembridge Sailing Club on the Isle of Wight, The Affordable Art Fair in Battersea and with The British Art Portfolio. Exhibitions E Catalogues Sold Works Nine New Painters to Panter & Hall - 2019 Nine New Painters to Panter & Hall - 2019 Sold Work Post 2019 Sold Work Prior 2019
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Annabel Fairfax

Little Pink Pot

£1,850

Anne Redpath OBE RSA ARA ARWS (1895-1965)

Born in Galashiels in 1895, Redpath was brought up in Hawick and later studied at Edinburgh College of Art under Robert Burns and Henry Lintott. Redpath showed her exceptional talent as an artist at a young age and in 1919 she won a travelling scholarship, enabling her to travel throughout Europe before returning to the Borders. Redpath is often considered the pivotal figure in the group of painters now referred to as The Edinburgh School. After a lengthy spell in the south of France, Redpath returned to Hawick in the mid-1930s. Her brilliant manipulation of paint, left in delicious peaks or eked across a rough surface with a palette knife, is characteristic of her oeuvre. Redpath was elected an associate of the Royal Scottish Academy in 1947 and was the first woman to be elected as a full member, in 1952. Redpath exhibited regularly at the Royal Scottish Academy, the Society of Scottish Artist's, the Royal Glasgow Institute and, from 1946 at the Royal Academy. In 1960 she was elected an Associate of the Royal Academy having already been awarded the OBE in 1955, the same year that she was awarded an honorary Doctorate from Edinburgh University. Redpath had considerable commercial success in her lifetime enjoying a fruitful, consistent relationship with Aitken & Dott in Edinburgh and latterly with Reid & Lefevre in London. Since her death, Redpath’s reputation has been further enhanced with retrospective and centenary exhibitions  and she is now firmly established as one of the most celebrated figures in 20th Century Scottish Painting. Exhibitions E Catalogues Sold Works From a Private Collection - 2015 Twentieth Century Painting - 2004 From a Private Collection - 2015 Sold Work Post 2019 Sold Work Prior 2019
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Anne Redpath RSA (1895-1965)

Windsor Flower (ed. of 75)

£1,100

Anthony Imre Alexander Gross CBE RA (1905–1984)

Anthony Gross was born in 1905, at Dulwich, London, the son of the Hungarian cartographer who and founder of Geographia Ltd and the Suffragette Bella Crowley. His younger sister was the artist Phyllis Pearsall who was widely credited for inventing the London A to Z maps. He attended Shrewsbury House School and later Repton, enrolling at the Slade in 1923. He continued his studies at the Central School of Art and Crafts in London, the École des Beaux-Arts in Paris and the Academia de San Fernando in Madrid. In 1925 he took life classes and studied as an engraver at the Académie Julian and Académie de la Grande Chaumière, Paris. During the early 1930s he exhibited in Paris galleries, becoming a member of the La Jeune Gravure Contemporaine, designed costumes and settings for ballet, and worked with composer Tibor Harsányi. He also married Villeneuve fashion artist Marcelle Marguerite Florenty in 1930.He co-directed the short film La Joie de vivre with Hector Hoppin in 1934 then returned to Britain to work on animated films. He illustrated a 1929 edition of Jean Cocteau’s Les Enfants Terribles and became an art director for London Films. In 1937 he returned to work in Paris but in 1940 he brought his family to the safety of England, to live at Flamstead in Hertfordshire.Eric Kennington pushed to have Gross appointed as an official war artist and he spent his initial year painting English coastal defences and troop training. In 1941, with a temporary commission of captain, Gross was attached to the 9th Army and painted within the Egyptian, Syrian, Palestinian, Kurdistan, Lebanese, and Mesopotamian theatres of war, sometimes accompanied by other war artists Edward Ardizzone and Edward Bawden. He later documented the 8th Army’s North African Campaign. From 1943 he transferred to India and Burma to witness the front line battle against the Japanese, producing works that were the subject of a one-man exhibition at the National Gallery when he returned to England.Gross accompanied the D-Day invasion of Northern France, wading ashore near Arromanches at 2pm on D-Day. He sketched the beachhead landings and spent the night in a slit trench on the beach before moving inland the next day. He followed the Allied armies to Paris and then into Germany, witnessing the meeting of American and Russian forces at the River Elbe on 25 April 1945.Following the war, Gross returned to working in London, producing commercial illustrations, including in 1954, the dust jacket design for the first edition of Lord of the Flies. From 1948 to 1954 he was a life drawing tutor at the Central School of Arts and Crafts, afterwards becoming Head of Printing at the Slade.From 1948 to 1971 Gross's work was exhibited in London and New York in one-man shows and as part of The London Group. In 1965 he became the first president of the Printmakers Council. He became an honorary member of the Royal Society of Painter-Etchers and Engravers in 1979, the same year being elected as an Associate of the Royal Academy. He became a Senior Academician in 1981, and was awarded a CBE in 1982.Public collections holding Gross’s work include the British Museum, Victoria and Albert Museum, Huddersfield Art Gallery, Imperial War Museum and the Tate Gallery, London, and the Ashmolean Museum, Oxford; the National Gallery of Victoria, Melbourne; Graphische Sammlung Albertina, Vienna; Auckland Art Gallery, New Zealand; the South African National Gallery, Cape Town; the Kunstmuseum, Basel; the National Gallery of Norway, Oslo; the Royal Academy of Fine Arts, Stockholm; the National Gallery of Canada, Ottawa; the Cabinetto Nazionale delle Stampe, Rome; the Rijksmuseum, Amsterdam; the Louvre and the Cabinet des Estampes, Bibliothèque Nationale, Paris; the Metropolitan Museum of Art and the Museum of Modern Art, New York, the Museum of Fine Arts, Boston, and the Smithsonian Institution and the National Gallery of Art, Washington DC, USA. Sold Works Sold Work
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Anthony Gross RA (1905–1984)

A Sunny Day in the Pyrenees, 1925

£6,850