Refugees Sleeping II
About Valeria Duca

Moldovan by birth, Valeria was something of a child prodigy in her native country. Recognition came early with her participation at the Venice Biennale in 2011, marking Moldova's debut on the international art stage. At 17 Valeria moved to the UK, where she studied Art History at the University of St Andrews. After living and painting professionally in Oslo, Norway for some years she has recently moved to Washington DC.

 A young artist, Valeria is a rising star in the international figurative painting scene. Her works define the human condition through edgy, technically superb and often humorous self-portraits. Her recent collection of paintings is a deeply relatable account of one young woman’s frustrations during our lockdown global house arrest. A narrative depicting, if not a descent into madness, then at least a blurring of the edges of normality, at times flirting with the surreal.

 Valeria’s works have been purchased for the permanent collections of a number of Eastern European museums: the Museum of History and Archaeology in Moldova, the Museum of Visual Art in Galati, Romania, the Museum of Western and Eastern Art in Odessa, Ukraine, the Museum of the Village, Bucharest, Romania, the Folk Art Museum in Constanta, Romania and the Palace of Parliament, Bucharest, Romania.

Refugees Sleeping II

£1,450

In our Cecil Court Gallery

About Valeria Duca

Moldovan by birth, Valeria was something of a child prodigy in her native country. Recognition came early with her participation at the Venice Biennale in 2011, marking Moldova's debut on the international art stage. At 17 Valeria moved to the UK, where she studied Art History at the University of St Andrews. After living and painting professionally in Oslo, Norway for some years she has recently moved to Washington DC.

 A young artist, Valeria is a rising star in the international figurative painting scene. Her works define the human condition through edgy, technically superb and often humorous self-portraits. Her recent collection of paintings is a deeply relatable account of one young woman’s frustrations during our lockdown global house arrest. A narrative depicting, if not a descent into madness, then at least a blurring of the edges of normality, at times flirting with the surreal.

 Valeria’s works have been purchased for the permanent collections of a number of Eastern European museums: the Museum of History and Archaeology in Moldova, the Museum of Visual Art in Galati, Romania, the Museum of Western and Eastern Art in Odessa, Ukraine, the Museum of the Village, Bucharest, Romania, the Folk Art Museum in Constanta, Romania and the Palace of Parliament, Bucharest, Romania.